Showing posts with label suffering artists. Show all posts
Showing posts with label suffering artists. Show all posts

Tuesday, April 8, 2008

Beware, Graphic Content


Georgia's Suggestive Flowers

My latest project for the little munchkins (aged 11-13) caused me a little anxiety. I let them draw names of artists out of a hat and their assignment was to research their artist and create an informational pamphlet. I had fun picking them out. I had to come up with 45 names! Naturally, I chose my favorites first, and then as many of the canon that I could recall off the top of my head. I tried to think of artists who would be mostly appropriate for my students, ones with enough information on them, and ones who were interesting. The art world, like any world, is messy and not always rated G. I was pretty confident that with a little digging, most of the artists produced something that was appropriate for school. I even gave my students a lecture about what to do if they found something disturbing. Oh how I love Junior High.



Diane Arbus's Freaky Twins

A few artists I knew were going to be borderline inappropriate, like Diane Arbus. I was relieved when most of the students got started with very few problems. One boy flagged me down almost immediately. I started to imagine meetings with principals and parents. I was quite relieved to see that he only had a page of Georgia O'Keeffe thumbnails. I asked him what the problem was. He told me he simply couldn't continue and he refused to elaborate. I pressed him, and finally, he whispered to me that he didn't want to look at people's privates. I told him it was just flowers, but he remained unconvinced. I let him do a different artist.


El Greco, rending the very fabric of the spacetime continuum

Another male student found El Greco to be too disturbing. He wasn't able to tell me what the issue was, but he looked genuinely upset, so I told him he could research Charles Schulz instead.

Teaching Moment

Of course, I remembered too late, that there are special safe search engines that are especially maintained for web-searches such as this. I am reminded, in spite of how the research has shown that studying the arts improves reading and math skills, it is constantly on the budgetary chopping block. It simply isn't safe. I am seriously doubting the wisdom of trying to teach the arts in a state-sponsored environment. Maybe I am overreacting. Now that I think of it, teaching isn't safe. Gah! What have I gotten myself into?

Wednesday, December 19, 2007

Serial Collage


serialcollage, originally uploaded by camille94019.



I have been rather frustrated with Swap-bot lately. Especially the swaps I have conceived and hosted. Half the people don't read the directions, the other half that does gets upset because their partner didn't read the directions and then participants complain to me, and no one answers the nagging emails I send and on and on. So, to remedy the situation, I am hosting another slightly conceptual swap, with even more forbidding scarymean art verbiage.

Fantasy Art Projects


I still want to go back to art school, but since I haven't yet, the next best thing seems to be to torture other swap-botters with my "ideas." I'd love to do series and series-within-a-series of collages. This is the first of, what I hope, becomes a series of a series of swaps. (I am wondering is there a better word for that? metaseries, perhaps? but that sounds like the less euphemistic cousin of a suppository) Half the fun is writing the directions. My goal is to discourage the mindless crafters (of course, none of my readers fall into that category) while whetting the appetite of the thoughtful, interesting artists.

My Idea

Originally, I wanted to take a compositional element and use it in each piece. It turned out I found cool photos of cables. I also found some other texturally interesting scraps, too. The geometric painting, the scrap that looks like TV static and a few others. I ended up working on all of them at once. The process was quite organic-- I found compositional elements (the horizon line, the slanting lines) and tried to reproduce them and change them at the same time (musicians call this a variation on a theme). I ended up using and reusing more elements than I originally planned, but for now, I am happy with the way it turned out.

Wednesday, April 25, 2007

Post Script


Clutch's drawing for me

There are favorite things I forgot!

Carolee at Pod Post. I met her a few years ago at the Foothill Book Arts Jam. A couple of things stood out this year, first, she is beautiful-- the red lipstick and the girl scout uniforms her Pod buddy and she wore were gorgeous. Secondly, her stuff is cool (see the link). I personally own two of her amazing sketchbooks. She was across the aisle from me and we gave each other eyes and she came over a bunch of times to give our side cookies.


drawing from Orion Martin

The Zine Kids. I have noticed that as APE evolves, there seems to be fewer zombie-sex comics and more knitters. That is a good change. On the other hand, there are fewer kids coming around wanting to trade. I used to trade like a fiend (money! bah!) but that ended last year after I started getting dirty looks from people. So now I just don't buy anything from adults (unless it is really really cool, see above entry). But a few zine kids did stop by my table. I tend to always trade, because I remember how it feels. I keep small things around to trade these days. I still trade with friends (like most of the people I've mentioned in these posts). Usually the stuff I get from the zine kids is strange (like the book with the dryer lint taped to the inside), but I did get a book worth noting from Orion Martin (cool name!) called Pup-One 2 Three with interesting drawings. (OK... I did gradgimate from art school... uh, lets see here, effective hatching, sensitive line-work, variety, good control of value-patterns, carefully observed portraits, ta da!)

Derek Kirk Kim: I borrowed his graphic novel recently from a friend at the same time I was subbing in Pacifica last month. He writes/draws about life in the big P. His observations are hilarious and true. I got to say "hello" to him and my biggest regret is that I didn't pick up my own copy of his excellent book.

Post Post Script

When I was Little Camille, I decided I wanted to draw when I grew up. At the time, my drawings included people with lots of fingers. I certainly didn't know what a life of drawing would really entail (what! no picket fence! no gold ring!), nor did I foresee the financial persecutions I'd suffer for it (what! they won't take my credit card!), but somehow, it is all okay when I get to spend an entire weekend in a drafty convention center with a bunch of other misunderstood geniuses who wanted to draw when they were young, too.

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